After the End of Art by Arthur C. Danto;

Author:Arthur C. Danto;
Language: eng
Format: epub
Publisher: Princeton University Press
Published: 2021-05-15T00:00:00+00:00

NOTES

1. Reinhart Koselleck, Futures Past: On the Semantics of Historical Time (Cambridge: MIT Press, 1985).

2. Greenberg, “After Abstract Expressionism,” The Collected Essays and Criticism, 4:123.

3. Greenberg, “Where Is the Avant-Garde?” The Collected Essays and Criticism, 4:264.

4. Bernard Berenson, The Venetian Painters of the Renaissance (New York: C. P. Putnam, 1894), x. On the other hand, Berenson beautifully observes that “art is too great and too vital a subect to be crowded into any single formula; and a formula that would, without distorting our entire view of Italian art in the fifteenth century, do full justice to such a painter as Carlo Crivelli does not exist” (ibid.).

5. Jonathan Watkins, “Untricking the Eye: The Uncomfortable Legacy of Carlo Crivelli,” Art International (Winter 1988), 48-58.

6. Rosalind E. Krauss, The Optical Unconscious (Cambridge: MIT Press, 1994).

7. Greenberg, “Surrealist Painting,” The Collected Essays and Criticism, 4:225-26.

8. Ibid., 231.

9. Alois Riegl, Problems of Style, 16.

10. Fry, “Negro Sculpture,” 88.

11. Cited in George Kubler, Esthetic Recognition of Ancient Amerindian Art (New Haven: Yale University Press, 1991), 208, n. 11.

12. Ibid., 43.

13. David Hume, “Of the Standard of Taste,” Essays, Literary, Moral, and Political (London: Ward, Lock, 1898), 134-49. All references are to this edition, but Hume’s essay is a classic of aesthetics and easily found in the main anthologies.

14. Cited in Jack Flam, “A Continuing Presence: Western Artists/ African Art,” in Daniel Shapiro, Western Artists/ African Art (New York: The Museum of African Art, 1994), 61-62.

15. The Letters of Virginia Woolf, ed. Nigel Nicholson and Joanne Trautman (New York: Harcourt Brace and Jovanovich, 1976), 2:429.

16. I refer to Western Artists/ African Art, curated by Daniel Shapiro. See note 14.

17. Greenberg, “Avant-Garde Attitudes: New Art in the Sixties,” The Collected Essays and Criticism, 4:293.

18. See especially the title essay in my The Philosophical Disenfranchisement of Art (New York: Columbia University Press, 1985).

19. Andras Szanto, “Gallery: Transformations in the New York Art World in the 1980s” (Ph.D. diss., Columbia University, 1996). See appendix for interview with Ron Jones.

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